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Josephine Plagnol

HARPIST

Biography

Joséphine Plagnol's passion for the harp was revealed in Saint-Leu-la-Forêt when she was six. She immediately fell for the elegance of its anatomy, the beauty of its harmonies and the unique motions that the performance require, and soon set her sights on becoming a professional musician.

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Determined to make her dream come true, she enrolled in an intensive music programme (CHAM) at the Conservatoire à Rayonnement Régional de Boulogne-Billancourt, where she was taught by Anne Ricquebourg. From 2020, she continued her musical training at the Conservatoire National Supérieur de Musique de Paris, where she studied with Isabelle Moretti, a leading figures on the harp.

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Joséphine has enriched her musical career by working with the Orchestre Colonne and the Orchestre de Mulhouse, as well as performing at the Gargilesse Harp Festival, the Rencontres Internationales de Harpe en Île-de-France and the Instrumentarium.

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She has won prizes from the Meyer Foundation, the Martine Géliot competition, Collegium21 and Suoni d'Arpa. Her musical education has also been enriched by the teaching of Gabriella Dall'Olio, Letizia Belmondo, Frédérique Cambreling, Sylvain Blassel and Isabelle Perrin.

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Joséphine is eager to learn and open-minded, she explores all repertoires with passion and constantly strives to broaden her artistic horizons, and aspires to share the richness and diverseness of the harp with an ever-wider audience.

Pièce Symphonique
Henriette Renié

Arabesque No. 1
Claude Debussy

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Académie La Belle Saison

Created in 2013 on the initiative of the Théâtre des Bouffes du Nord in Paris, La Belle Saison is a production label specializing in chamber music repertoire. Its next production, Histoires Fantastiques, will be narrated in music by Yanowski and eight young musicians from the first Académie Belle Saison.

Concerts

Histoires Fantastiques

WORLD PREMIERE, COMMISSIONED BY LA BELLE SAISON, FOR ACTOR/SINGER AND 8 MUSICIANS

With its multiple possibilities for interpretation, the fairy tale is a favorite subject for the fantasy genre. It is therefore based on one such tale, Edgar Allan Poe's The Masque of the Red Death, set to music by André Caplet, that a dual project takes shape: to retell this fantasy story and to create another that responds to it. This first narration is followed by a fantasy tale invented, written, and narrated by Yanowski, set to music by Corentin Apparailly: La Louve (The She-Wolf), which brings together on stage an actor, a string quartet, a trumpet, a bassoon, percussion, and a harp. In this poetic work made up of echoes and mysterious narratives, each character has their own voice, each theme is embodied by a sound, a rhythm, a figure. Yanowski's voice, sometimes sung, sometimes spoken, provides the moving backdrop for a new, captivating music,

full of tension.

 

performance schedule

19 Avril 2026 à 16h30

Festival de la Chaise-Dieu

12 Mai 2026 à 20h30

Théâtre municipal de Coulommiers

29 Juin 2026 à 20h

Théâtre des Bouffes du Nord

Paris

Next concerts

19 juin 2026

Récital de Master

Conservatoire National Supérieur de Musique de Paris​

25 juin 2026 à 14h  

Festival Les étoiles du classique

Saint-Germain-en-Laye

28 juin 2026 à 14h  

Festival Les étoiles du classique

Saint-Germain-en-Laye

6 juillet 2026 - 12 juillet 2026

Journées de Pont ar Gler

Quatuor à cordes et harpe

25 juillet 2026 à 17h30  

Récital de harpe

Les Musicales de Saint-Genou

Buzançais 36500

Contact

Contact

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