
Josephine Plagnol
HARPIST
Biography
Joséphine Plagnol's passion for the harp was revealed in Saint-Leu-la-Forêt when she was six. She immediately fell for the elegance of its anatomy, the beauty of its harmonies and the unique motions that the performance require, and soon set her sights on becoming a professional musician.
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Determined to make her dream come true, she enrolled in an intensive music programme (CHAM) at the Conservatoire à Rayonnement Régional de Boulogne-Billancourt, where she was taught by Anne Ricquebourg. From 2020, she continued her musical training at the Conservatoire National Supérieur de Musique de Paris, where she studied with Isabelle Moretti, a leading figures on the harp.
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Joséphine has enriched her musical career by working with the Orchestre Colonne and the Orchestre de Mulhouse, as well as performing at the Gargilesse Harp Festival, the Rencontres Internationales de Harpe en Île-de-France and the Instrumentarium.
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She has won prizes from the Meyer Foundation, the Martine Géliot competition, Collegium21 and Suoni d'Arpa. Her musical education has also been enriched by the teaching of Gabriella Dall'Olio, Letizia Belmondo, Frédérique Cambreling, Sylvain Blassel and Isabelle Perrin.
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Joséphine is eager to learn and open-minded, she explores all repertoires with passion and constantly strives to broaden her artistic horizons, and aspires to share the richness and diverseness of the harp with an ever-wider audience.
Pièce Symphonique
Henriette Renié
Arabesque No. 1
Claude Debussy

Académie La Belle Saison
Created in 2013 on the initiative of the Théâtre des Bouffes du Nord in Paris, La Belle Saison is a production label specializing in chamber music repertoire. Its next production, Histoires Fantastiques, will be narrated in music by Yanowski and eight young musicians from the first Académie Belle Saison.
Histoires Fantastiques
WORLD PREMIERE, COMMISSIONED BY LA BELLE SAISON, FOR ACTOR/SINGER AND 8 MUSICIANS
With its multiple possibilities for interpretation, the fairy tale is a favorite subject for the fantasy genre. It is therefore based on one such tale, Edgar Allan Poe's The Masque of the Red Death, set to music by André Caplet, that a dual project takes shape: to retell this fantasy story and to create another that responds to it. This first narration is followed by a fantasy tale invented, written, and narrated by Yanowski, set to music by Corentin Apparailly: La Louve (The She-Wolf), which brings together on stage an actor, a string quartet, a trumpet, a bassoon, percussion, and a harp. In this poetic work made up of echoes and mysterious narratives, each character has their own voice, each theme is embodied by a sound, a rhythm, a figure. Yanowski's voice, sometimes sung, sometimes spoken, provides the moving backdrop for a new, captivating music,
full of tension.
performance schedule
Next concerts
19 juin 2026
Récital de Master
Conservatoire National Supérieur de Musique de Paris​
25 juin 2026 à 14h
Festival Les étoiles du classique
Saint-Germain-en-Laye
28 juin 2026 à 14h
Festival Les étoiles du classique
Saint-Germain-en-Laye
6 juillet 2026 - 12 juillet 2026
Journées de Pont ar Gler
Quatuor à cordes et harpe
25 juillet 2026 à 17h30
Récital de harpe
Les Musicales de Saint-Genou
Buzançais 36500
